Eddy Créa, multi-instrumentist and performer of traditional music

An ethnography of Seychellois musicians

published by

Fanie Précourt

26 mai 2026

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This project is part of ‘Indian Ocean Historical Sound Archive: collecting, safeguarding and sharing musical heritage’. It is co-financed by the Interreg VI Indian Ocean 2021-2027 programme, the French Embassy in the Seychelles, the Regional Council of Reunion, the Directorate of Cultural Affairs, and the Departmental Council of Reunion. It follows on from organological studies conducted in Mayotte in 2022 and Reunion in 2023. Building on this work, the PHOI team carried out a collection mission in the Seychelles during October and November 2025.

These accounts, gathered mainly from musicians and instrument makers, aim to celebrate Seychellois musical practices as well as raise awareness of them, ensuring their transmission and longevity for future generations. They offer the general public a chance to rediscover — or indeed discover — traditions, both past and present, as well as the instruments that enrich the region’s varied and diverse identity.

In these podcast episodes, the musicians also share insights into their professional journeys and the day-to-day realities of their work. They provide an overview of cultural life across the Seychelles, touching on ongoing dynamics as well as the difficulties and challenges they face. These testimonies thus shed valuable light on the current state of the music sector in the Seychelles.

Ethnographie des musiciens - Interview d`Eddy Créa - Mahé, 11/25.

In this episode, Eddy Créa, born in 1972 to a renowned violinist, looks back on his once-flourishing years as a musician. Having started out as a guitarist at the age of 17, he turned his full attention to the violin two years later. During this period, he frequently performed in hotels and travelled abroad to promote Seychellois music (primarily kanmtole and sega), releasing three albums in the process. He recalls that 15 or 20 years ago, opportunities to play were easy to come by, especially at festive dances. Today, despite young people’s indifference to such traditions and a lack of scheduled bookings, Eddy is determined to preserve this music for as long as he lives.

Fanie Précourt

Fanie Précourt Share